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Showing posts with label Julianne Lee. Show all posts
Showing posts with label Julianne Lee. Show all posts

Nov 30, 2009

Giveaway & Interview with Julianne Lee, author of new release HER MOTHER'S DAUGHTER: A NOVEL OF QUEEN MARY TUDOR

Monday, November 30, 2009
The Burton Review is honored to have had the opportunity to ask author Julianne Lee a few questions regarding her newest novel, "HER MOTHER'S DAUGHTER: A NOVEL OF QUEEN MARY TUDOR". Keep reading for details on the giveaway sponsored by her publishers at Berkely!

In your previous novel, "A Question of Guilt: A Novel of Mary, Queen of Scots, and the Death of Henry Darnley", Mary Stuart was the focus of the plot as a 'vilified' queen. Your newest book, "Her Mother's Daughter: A Novel of Mary Tudor" also addresses the 'vilified' queen topic. What was it about these two Queens that inspired you to write their stories?

Well, there are several reasons for choosing these subjects. Initially, it was a fascination with Scottish history that drew me to Mary Stuart. But when I studied her story, I saw that she'd been at the mercy of the men around her, who just didn't know how to be led by a woman. Her situation was impossible, and the question of whether or not she was a good queen was unanswerable, because she'd not really been allowed to be queen at all. She was seen only as a prize, and secondary to the prize of the crown which everyone assumed would go to the man who married her.

Then when I read about Queen Mary Tudor, I realized I was actually identifying with her a little. Divorced parents, life expectations trashed, sense of safety destroyed...as I read, I had glimpses of the terrified woman she must have been. I felt compelled to write about her, and it was one of the most difficult books I've ever written.

Upon setting out to write these novels, was your ultimate goal to convince your readers that these Queens were indeed vilified for no reason?

Not really. As a former journalist, I prefer to just tell the story and let the reader draw her own conclusions. With Mary Stuart, I truly didn't see the ending until I wrote it. And even then I don't think the character of Janet decided anything hard and fast. With Mary Tudor, it was more complex. She may have been misunderstood by history, but at the end of the day we're left with the fact that she did order the burnings of nearly 300 people. My only wish was to examine the psychology and circumstances that led to her decisions, without coloring her as evil or psychotic.


For your historical research, did you have the opportunity to visit Europe ? (If so, please tell us your favorite landmark!)

Oh, yes! I've written many books set in historical Scotland , and have visited the U.K. three times since '99, and Germany once. I finished the last 6,000 words of my first novel at the Glenfinnan House Hotel, with a view of the Prince Charles monument, and Ben Nevis off down the glen. In '03 I spent a week on Skye, taking an immersion course in Scots Gaelic. In '05 I drove with a friend up to Lewis, then back down to Wales . On Lewis we visited some standing stones, and spotted an ancient tower just off the road just before sunset, and were able to stop and visit it in the quiet of the day. We could hear sheep bleating in the distance, and the peace was overwhelming. It was difficult to leave.

I'm a huge believer in hands-on research. When I couldn't quite picture how to use a drop-spindle, I found someone who knew how to do it and could teach me. When I needed to describe a Scottish festival, I went to one. When I had characters cooking with fire, I hung a pot hook in my own fireplace and learned to use it. I've taken fencing classes, karate, and a couple of years ago I took up quilting by hand.

While writing "Her Mother's Daughter", did the progression of any of your characters surprise you? Or did you try and stick to the tried-and-true of each character?

I'm not sure what "tried and true" means with characters. They do tend to think for themselves sometimes. With Queen Mary, it was a process of discovery more like peeling away layers than the sort of observation one does with fictional characters. Fictional characters sometimes just walk around on their own with no help from me. Mary was an onion, which I kept peeling down and down. I did rather like Simon Renard, who turned out a little more dashing than I'd pictured him at first. He's an historical figure, and when I found a portrait of him I went, "Hm...pretty."


Did you enjoy a particular supporting character more than the rest?

Nicolo Delarosa, the lute player, was adorable, I think. He's completely fictional, and as he developed I just liked him more and more. And I felt sorry for him. He's one of those sturdy, dependable guys who suffer quietly.

Mary's half-sister Elizabeth plays a very small role in your story. Was this because you felt that they did not spend a lot of time together in general, or was it for the purposes of the plot line in general?

I may have ignored Elizabeth more than she deserved, and it was because there is so much written about her that I felt I didn't need to contribute to the enormous mass of it. The same is true about Anne Boleyn, who also doesn't figure largely in this story. I preferred to explore figures that were a little less known.

What are your assumptions regarding the relationship of Mary and each of her siblings?

When someone is your brother or sister, there's not much you can do about it. Even when your family is not close and loving, or when a member of your family behaves badly, they are still your family. During the sixteenth century, family was even more important to an individual than it is now, particularly for women. I think that Mary must have struggled with feelings for her brother and sister ranging from deep love to deep anger. I think she cared for her brother, but perhaps not so much for her sister. Of course, that is just opinion. Nobody can know for certain how Mary felt about Edward and Elizabeth at any given time.

What are your own thoughts on Mary's frequent illnesses and false pregnancies?

It seems to me that she had terrible psychosomatic problems. Possibly an ulcer. As much stress as she was under her entire life, it's no wonder her health was dodgy.

You also write historical fantasy novels; which genre do you prefer to write, and why?

I like to tell stories. To me, it's all good. One of the things I like best about writing historical fiction is that I get to show people that it's not all just dry names and dates.

Do you have any other historical fiction novels in progress?

My next project is about Jane Grey.

Besides the Tudor or Elizabethan eras, is there another time period that interests you more than others?

None more than others. I've done books set during the Jacobite Rebellions of the early eighteenth century, and the Wars of Independence in the early fourteenth century. I've done Glen Coe as well. One book that was published in Germany but not in the U.S. is set during the American Civil War. Though it was never published in North America, "Kindred Spirits" is now available on my website as a P.D.F. download. (http://www.julianneardianlee.com/kindredspiritsdownload.html)

For those wishing to read more on Mary Tudor, what books can you recommend to your readers that you used for your research?

Books about Mary Tudor herself tend to be a little spotty. There is some good information in Garrett Mattingly's book "Catherine of Aragon." Another book, "Bloody Mary's Martyrs" by Jasper Ridley is recklessly anti-Mary, but it has some excellent descriptions of the burnings and the victims. "Mary Tudor" by David Loades has some little-known nuggets, and of course Carolly Erickson's "Bloody Mary" gives a disctinctive perspective.

Thank you so much for your time!!!!

Thank you for your interest.

Julianne Lee
http://www.julianneardianlee.com/
"Her Mother's Daughter: A Novel of Queen Mary Tudor"
Berkley, Dec 1. 2009

And now a question for my readers!!
Who wants to win a copy of Julianne Lee's latest book, "Her Mother's Daughter: A Novel of Queen Mary Tudor" ?

Read my review here, comment on my review, come back to this post telling me you did so.

Also leave me an email address in case you win so I can contact you. I'll have TWO winners, USA only please.
Giveaway entries welcome until 12/11/2009.
GOOD LUCK!

Book Review: Her Mother's Daughter: A Novel of Mary Tudor by Julianne Lee

Monday, November 30, 2009

Her Mother's Daughter: A Novel of Mary Tudor by Julianne Lee
ISBN: 0-425-23008-2/978-0-425-23008-4
Publisher: Berkley, December 1, 2009
Paperback, Historical Fiction, 336 pages. Amazon page.
Review copy provided by publisher
The Burton Review Rating:Four Stars!

Synopsis:

"A new novel of sixteenth-century royalty from the author of A Question of Guilt:

Her name was Mary Tudor. First of the Tudor queens, she has gone down in history as Bloody Mary. But does she deserve her vicious reputation?

She was the daughter of Henry VIII and Katherine of Aragon, and half-sister to Edward VI and Elizabeth I. Mary Tudor's life began as the sweetly innocent, pampered princess of Wales - until the age of eleven when the father she adored cast aside the mother she worshipped and declared Mary a bastard. Only after years of exile did Mary finally rise to the throne alongside the man who, aside from her father, was her greatest love - and her greatest betrayer.

Told by Mary herself and the people around her, this grand-scale novel takes us back to the glittering court of sixteenth-century England, and tells the tragic story of a fascinating, largely misunderstood woman who withstood the treachery and passion around her only to become one of England's most vilified queens."

Julianne Lee attempts to bring to modern day readers the sympathetic view of Mary Tudor, the misunderstood queen of the sixteenth century. Queen Mary did not have an easy life, and the author immediately sets off to show her readers the myriad of different situations that she was placed in due to the fact that she was the daughter of King Henry VIII. Most Tudor era fans know the story of this Mary Tudor, who was otherwise known as Bloody Mary due to her excessive execution of heretics. She was the only surviving issue of Catherine of Aragon and Henry VIII; at first treated as a princess should be until Henry divorced her mother. Yet, it is her younger half-sister, Elizabeth I, who gets the credit for being a strong female monarch in the sixteenth century.

The author shows how Mary may have felt when she was told by her mother that her father was divorcing her, which jeopardized Mary's own status. She was stripped of her princess title, and simply became "Lady Mary." We see how Mary was indeed her mother's daughter, embracing the Catholic religion with zeal, as this was the only constant in her life. The story the author tells focuses on Mary's life and the major events that occurred around her, although we very quickly advance in the author's telling to Henry marrying Anne Boleyn, beheading her and taking Jane Seymour as a wife. Throughout this period we are privy to Mary's personal thoughts as she despises Anne, yet yearns for her place at her father's side. Henry is portrayed as unfeeling and callous towards his daughter Mary, but as doting on Elizabeth when she was a baby. Obviously for the sake of the story itself this works well in the author's favor for attempting to achieve sympathy for Mary. How much of this is factual is for another book.


We blink, and Henry is dead and his only sickly son, Edward is on the throne at age 9. I don't even recall the sixth wife being mentioned. With the bulk of the book being told in third person, we are privy to the council meetings and the thoughts that the council members had about Mary, being a Catholic twenty-four year old potential claimant to the throne, never mind the fact that she was a woman. Mary is shown as very insecure, very pious and of ill health. Whenever she was stressed, it put her in a dangerous state of illness. Mary had feared poison from the heretic Protestant factions, and was beginning to lose faith in her own father's loyalty and regard for family ties. She always felt he would never execute her because of the fact that she was his daughter, but Henry was a ruthless man and did not like being refused his requests. This request in question (which spanned the first half of the book) that Henry demanded of her was going against the very grain of Mary's Catholic faith, for Henry wanted Mary to recognize him as having authority over the church and the pope. Mary finally felt that she could no longer trust in her faith to keep her alive. It seems Mary's only friend was her imperial ambassador, Eustace Chapuys. He advised her in most things and she is shown as relying on him at critical times, just as he advised her to accept the Act of Supremacy, although with a helpful caveat. Upon doing so, Mary was finally allowed some peace, and was welcome at her father's court after this long battle. She failed in the very things she lived for, such as having children and restoring England to the Catholic faith, and perhaps it was this failure that distressed her so much that caused her illnesses. But even through these failures, she unknowingly taught Elizabeth what to do or not do once Elizabeth ruled.

What makes this novel unique is the way it opened up, with a modern day setting; and then the rest of the story is being told in an almost flashback fashion as Mary periodically appears as she explains what happens next. The chapter would open up with an italicized paragraph of Mary speaking her mind, and that chapter would tie itself into that foreshadowing opening paragraph. Also unique, are the "extras" to the novel. There are commoners, from thieves to family men that have their chance to their story in this novel as well. Through their eyes we get a broad scope of what the political and religious turmoils that the people in England were subject to, and this also helped keep the novel intriguing.

As a Tudor junkie, I enjoyed it. As a historical fiction reader, I loved it. There is nothing that I can say in hindsight that I think the author should have done differently. The writing flowed simply and I was entertained by the clever outline of the novel with the diary style entries by Mary and the outlooks from the commoners. This was a unique approach towards a story that has been told many times before, but truly gives a realistic touch towards the humanity of Bloody Mary. The author successfully portrayed Mary in a more favorable light as we begin to understand the depth of Mary's faith and the mechanisms behind it. As the story progresses, we are more empathetic towards Mary as we witness the accounts of the relationships that Mary had with her family and her controversial husband, Philip of Spain. For the many readers who like to focus on the Tudor era, this is a read that must be added to your library, both for its original storytelling and the unique approach with which the author utilizes to tell this compelling story of Mary Tudor. I enjoyed this new novel by Julianne Lee so much so that I will be looking for her previous historical fiction read A Question of Guilt: A Novel of Mary, Queen of Scots, and the Death of Henry Darnley (Oct 7, 2008) which focuses on another Queen Mary that I have not had a lot of sympathy for either. After reading Her Mother's Daughter: A Novel of Mary Tudor by Julianne Lee, I am definitely much more sympathetic to the views of Bloody Mary and more understanding of why she seemed a bit over the top. I recommend this one to those interested in the Tudor era and for historical fiction fans in general.