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Showing posts with label 15th Century. Show all posts
Showing posts with label 15th Century. Show all posts

Feb 26, 2013

The Plantagenet Series by Juliet Dymoke

Tuesday, February 26, 2013
The Synopses of The Plantagenet Series by Juliet Dymoke

©BurtonBookReview



I was very lucky to be put in touch with someone selling some of their out of print historicals, and this lot of Juliet Dymoke titles is exactly what made me want to buy the whole box of books, even though there were some duplicates within. I had these Juliet Dymoke books on my wish list forever but I was only able to find the USA version of Lady of the Garter once in my local used bookstore. The ones shown above are the UK editions, from 'New England Library' (London based) which are now happily part of my personal library. Some of the novels may be found via Amazon, I linked their titles above directly to their Amazon pages in case you want to buy them for yourself.

I hadn't been able to find much information online about them regarding their plot points etc., so I wanted to share the descriptions from back covers with you, keeping in mind I kept those words which are UK spellings:


A Pride of Kings
The first king whom William Marshal met had nearly hanged him. That was Stephen of Blois. Years later William Marshal, the landless, penniless younger son who earned his living with his sword on the tourney fields of Europe, and rose to the highest office in the land under the crown, served five kings of the great Plantagenet line. One died in his arms, one accused him without cause, one raised him to high honours, another turned against him.

Throughout it all, William Marshal never swerved in his loyalty to the quarrelsome, unpredictable, charming and autocratic brood of Henry II, founder of the Plantagenet dynasty.

A Pride of Kings is the first of a series of novels which tell the story of the Plantagenet monarchs through the eyes of the men and women who served them, loved them or betrayed them.


The Royal Griffin
The love story of Princess Eleanor, proud daughter of the Plantagenet dynasty, and Simon de Montfort who though not a commoner was no more than the younger son of a Norman baron, is one of the great romances of the thirteenth century.

His own qualities as much as his kinship to the royal house raised Simon to a position of importance in England, but his friendship with the vain weathercock king soon changed to bitter enmity. Simon became the champion of all those, from barons to peasants, who wanted a curb put on the king's power. Inevitably, he grew too powerful himself, and came to blows with both Henry III and his son the Lord Edward.

Throughout a lifetime of conflict and divided loyalties, Eleanor never lost sight of her royal heritage as the king's sister, but until the final disaster she remained Simon's devoted wife.

The Royal Griffin continues the fascinating story of the Plantagenet family, which began in A Pride of Kings.


The Lion of Mortimer
All the ability, strength and charm of the Plantagenets reached their peak in the person of Edward I, and Simon de Montacute was proud that his own son William should in his turn serve the old King's heir.

Though the second Edward was weak and frivolous, and his passion for Piers Gaveston roused his barons against him, he retained and repaid William's loyalty, and William shared the King's growing hatred for Roger Mortimer as that grasping baron rose to power and too great an influence over Edward's slighted Queen. It was left to young Will de Montecute, friend and close companion of Prince Edward, to play a part in  Mortimer's downfall and the resurgence of the royal Plantagenet line.

Following A Pride of Kings and The Royal Griffin, The Lion of Mortimer continues the turbulent story of the Plantagenet dynasty, their faithful friends and their bitter enemies.


Lady of The Garter
Overshadowed by her brilliant husband and then by her wayward and ill-fated son, the Princess Joan might have been remembered only as the Black Prince's wife, Richard II's widowed mother.

But Joan's life had its fill of drama and romance. Despite a secret betrothal in girlhood, she was married to another man. The King took her as his mistress; the common folk loved her for her kindliness and beauty.

For of all the Plantagenet women, Joan, the Fair Maid of Kent, was perhaps the most beautiful. Her passionate love story was lived against the background of such great events as the victories of Crecy and Poitiers, at the brilliant court of Edward III and among his sons and daughters who had their full share of Plantagenet pride and ambition.

Lady of the Garter is the fourth is this series of novels retelling the magnificent story of the Plantagenets.

{The US edition is the same, except for "at the brilliant court of Edward III, and among his proud and ambitious sons and daughters.... a series of historical novels which tell the story of the Plantagenet monarchs through the eyes of the men and women who served them, loved them, or betrayed them, and in so doing, helped shape the events of English history.}


The Lord of Greenwich
Henry Bolingbroke, Duke of Lancaster, wrested the throne from his cousin Richard II and sowed the seeds of conflict between York and Lancaster. Now Henry V must keep what his father had won.

So Henry turned to his brothers for support and Humfrey of Gloucester gave in unstintingly, though he later tried to wield power during the minority of his nephew, Henry VI. And there was another side to Humfrey's character. A genuine scholar, he loved books in an age when learning was for cloisterman, not courtiers.

But Humfrey inherited not only the Plantagenet charm and energy, but also their talent for stirring up trouble. He quarrelled bitterly with the staider members of the family over his marriages and love affairs, for Humfrey's wild passions could always attract women,

Soldier, scholar and lover, Duke Humfrey embodied the best and the worst qualities of the Plantagenet dynasty, whose earlier story is told in {the names of the aforementioned books}.


The Sun in Splendour
The throne of England, seized by Henry IV, is disputed by the heirs of York and Lancaster. Edward IV, brilliant and handsome in the Plantagenet mould, rules a land split by rival factions, and his secret marriage to Elizabeth Woodville has alienated many of his supporters.

Experiencing the excitement of court life, anxious months in hiding while the Lancastrian party control England, Edward's final victory and her own personal griefs, Bess Bourchier {Elizabeth Tilney} shares tragedy and triumph with her friend the Queen, and with the King whom she idolizes. Later as she tries to make the best of a loveless second marriage, Bess sees the inevitable decline of Plantagenet greatness which will revive only briefly under Richard III, last of the dynasty.

The Sun in Splendour is the sixth and final novel in a series which traces the fortunes of the Plantagenet monarch through nearly four hundred years.




So far, this is my Juliet Dymoke collection. I have since ordered two more of her novels, and will probably buy the rest as I find them.

Juliet Dymoke is a pen name for Juliet Dymoke de Schanschieff (1919-2001). Her work should appeal to readers of Sharon Kay Penman and Elizabeth Chadwick. There is a list of other novels by the author located here.

Feb 13, 2013

The Forbidden Queen by Anne O'Brien

Wednesday, February 13, 2013
A tale of Katherine's heart, and her woes.


The Forbidden Queen by Anne O'Brien
Mira Publications, March 1, 2013
Advance Review copy eBook from NetGalley
Burton Book Review Rating: 3 stars


1415. The Battle of Agincourt is over, and the young French princess Katherine de Valois is the prize to be offered to Henry V of England. The innocent Katherine is smitten with Henry, but soon understands that her sole purpose is to produce an heir to unite England and France. Henry will take Katherine, not for her beauty, not for a treaty of peace - but for nothing less than the glittering French crown itself. For Katherine, a pawn in a ruthless political game, England is a lion's den of greed, avarice and mistrust. And when the magnificent King leaves her widowed at twenty-one she is a prize ripe for the taking. Her enemies are circling, her heart is on her sleeve, her hand in marriage is worth a kingdom. 
But Katherine is still young and passionate. Many desire her, and her hand in marriage is worth a kingdom. Setting aside those driven by ambition, Katherine falls in love with her servant Owen Tudor, and glimpses the happiness that love can bring. But their enemies are circling, all battling for power and determined to prevent their marriage. Katherine will have to fight to control her own destiny…

In this compelling and beautifully written book, Anne O’Brien tells the story of the innocent young princess, Katherine de Valois, a pawn in a ruthless political game between England and France, and the woman who founded the most famous royal dynasty of all – the Tudors.

This is the story of Katherine of Valois, and as the cover suggests, she played an important role in the founding of England's Tudor dynasty. Before she got to that point in her life, the story puts her in a nunnery and then married to the King of England as a young woman. Being married to Henry V, I was expecting a bit more pluck or spunk from Katherine, but we didn't get that. Her new ladies in waiting ridiculed her for being a timid mouse. We read of her daily wishes to be closer to Henry, as she was merely an object of his ambition towards the French crown. Henry V was business like, and only available to beget heirs, and so we were subjected to Katherine's woeful reflections of Henry. Katherine's character became quite boring as she pined for Henry, while he was near and then when he was dead.

Without  Henry and his guidance, Katherine becomes depressed and despondent and feeling quite useless in her role to look pretty and dignified until Edmund Beaufort comes along and entertains and woos her. Her world then revolves around Edmund. (And when that fell through, oh horrors.. couldn't see that coming...) She falls for a servant, a major no-no for a Queen. Amidst the love affairs, she has meetings with the council members regarding her status; she must be respectful as a Queen Dowager and think of her son's future as the King of England at all times. Once the council realizes that Katherine is indeed her lustful mother's daughter they even go so far as to rule that the Queen may not wed unless the King and his council agree to it (Henry VI the King was still quite young and wouldn't reach his majority for many years).

Anne O'Brien takes on this character of Katherine as a complete focus on her and her life. She leaves out historical nuances and details except for the times that Katherine had to face the irate council members who wanted Katherine to live out a chaste life. I was getting quite bored with Katherine's need for romance until the last ten percent of the book, where Master Owen steps up to the plate and offers some well needed drama. Even though the synopsis introduces Owen Tudor in the second paragraph, it wasn't until at least halfway through that Owen starts to become a major figure.

I would have loved to see more of the children, more name dropping of the important figures of the time, or even an idea of what year we were in. I was reading from an eBook, so perhaps chapter headings with dates/places/settings would be added later. The cover features the red blob that touts "Better than Philippa Gregory" which I found untrue. If O'Brien placed a bit more emphasis on the events of the era and other political figures, or added more historical details perhaps I could have entertained that notion of being in the same league of Gregory. (The dispute of whether Gregory is a historically accurate author left aside, at least Gregory offers us a meaty take on the era she writes).

This story was 98% romance in my opinion, and the constant need Katherine had for any significant other was grating. "The fundamental aching need that had touched me when I had seen him stride from the river had not lessened with the passage of time. It had grown until I had no peace." A Mr Darcy moment, perhaps?

This was my first read on Katherine, and I am not sure I need to read anything else on her. This characterization of Katherine did little to win me over. To stoop so low as to wed a servant? A Welshman at that, who was forbidden to even wear a sword? A Queen Dowager? If only the writing was focused less on the romance angle and a bit more of a sweeping tale from a few angles, even more political ones, I could have appreciated it more. There was no interaction with her family from France, just the stigmas of her eccentric parents that followed Katherine. And no mention of her elder sister Isabella who was also a Queen of England before her. The purpose of Katherine's marriage to Henry V was to offer the French crown to Henry as opposed to her brother Charles. And the famous Joan of Arc was a proud supporter of Charles, and she was not a single blip on Katherine's radar according to this telling.

I felt the first person narration of Katherine limited the scope and since the author also chose to limit the scope to the romance, there was very little complexity in it. Most history lovers of the era already know the marriage partners of Katherine of Valois, and the author simply filled in the blanks for how Katherine related to those men, and I was hoping for more. But I am in the minority here, so perhaps it was just bad timing on my part, as there are quite a few glowing stars in favor of the book on Goodreads.  Recommended for those readers eager for the story of Katherine and her heart's content, and her woes. Based on that, if you like romance stories, and its plights to a queen, you should enjoy this quick reading romance based on a lesser-known historical figure.

Sep 17, 2012

The Kingmaker's Daughter by Philippa Gregory

Monday, September 17, 2012
 

(UK cover)

A blend of treachery, sorcery and devotion.


The Kingmaker's Daughter by Philippa Gregory (Cousins' War #4)
Simon & Schuster UK/Touchstone August 14, 2012
Hardcover 432 pages
Review copy provided by the publisher, thank you!
Burton Book Review Rating: 4.5 stars



Spies, poison, and curses surround her… Is there anyone she can trust?
In The Kingmaker’s Daughter, #1 New York Times bestselling author Philippa Gregory presents a novel of conspiracy and a fight to the death for love and power at the court of Edward IV of England.
The Kingmaker’s Daughter is the gripping story of the daughters of the man known as the “Kingmaker,” Richard Neville, Earl of Warwick: the most powerful magnate in fifteenth-century England. Without a son and heir, he uses his daughters Anne and Isabel as pawns in his political games, and they grow up to be influential players in their own right. In this novel, her first sister story since The Other Boleyn Girl, Philippa Gregory explores the lives of two fascinating young women.
At the court of Edward IV and his beautiful queen, Elizabeth Woodville, Anne grows from a delightful child to become ever more fearful and desperate when her father makes war on his former friends. Married at age fourteen, she is soon left widowed and fatherless, her mother in sanctuary and her sister married to the enemy. Anne manages her own escape by marrying Richard, Duke of Gloucester, but her choice will set her on a collision course with the overwhelming power of the royal family and will cost the lives of those she loves most in the world, including her precious only son, Prince Edward. Ultimately, the kingmaker’s daughter will achieve her father’s greatest ambition.

Read my reviews of the earlier titles in the series:


The Kingmaker's Daughter brings us another installment in the Cousins' War series, this one focusing on the point of view from Anne Neville. Fans like myself of the history of the Wars of the Roses would recognize the Neville name as being closely connected to the Yorkist kings, as Richard Neville was the Kingmaker who helped put Edward IV on the throne of England.

This was a period of time where many factions were created and put down, and turn coats and traitors were just as easily made. There was never a pure period of peace, there always seemed to be a rivalry for the throne of England. Before this novel opens, Anne's father had successfully ousted the Lancastrian Henry VI and his wife Margaret of Anjou to put the Yorkist family on the throne. Anne had grown up fearing this "bad queen" and feeling sorry for the "sleeping king", but never once doubting the righteousness of the Yorkist claim. When the new King Edward chooses Elizabeth Woodville, the new Queen Elizabeth rises her huge family to greatness with lands and wealth which old lords and honorable nobles felt entitled to.

Philippa Gregory loves her Witchy Woodville girls, and they are back causing evil and torment to all those who stand in her path. The Woodvilles are of the upstart House of Rivers, and King Edward IV married Elizabeth Woodville, essentially a commoner, and sired many children with her. Alliances are made for these children, and unrest grows. King Edward seems to lead the country at the wishes of his witchy Queen, and it causes Anne's father to become a turncoat himself as he becomes an ally to The Bad Queen (Margaret of Anjou). Anne is betrothed to her Lancastrian heir, Edward, and everything that she has been taught as a child has become overturned.

She is to be a Lancastrian with her marriage to Prince Edward. As most lovers of the story know, this new uprising fails, and long story in the end Anne finally does end up with Edward's brother, Richard. Anne and her sister Isabel are now both married to King Edward's royal brothers, and things should end happily ever after, if not for the Woodville clan.

Elizabeth Woodville was portrayed throughout Gregory's novels as a witch, seductress, temptress.. and the same themes hold true in the new installment. Anne suffers greatly once she marries Richard, and each loss she attributes to the witchy Queen. As I neared the end of the novel, I had hoped for more for Anne, but it seemed that Elizabeth Woodville, even from her far sanctuary, had won the last battle.

There are many story lines weaved throughout, which fans of Gregory would remember such as the legend of Melusine, or the rumors that historians like to hate and refute, but Gregory always manages to turn facts and rumors into an entertaining story. I love the Wars of the Roses era and the Plantagenets far more than I do the Tudor era for all of the many side stories that would be a novel by themselves.  Even though I disliked both the juvenile style of the beginning of this book and the depressing way the book ended, I enjoyed this story a bit more than some of the others.

This time, I really felt the plight of the Neville sisters of Anne and Isabel, and I actually was sympathetic to Richard, whom some feel may have murdered those princes in the Tower (raises hand). There is so much history that we will never truly know, and historians will decipher letters and evidence as they see fit, and I love how Philippa Gregory brings to life an otherwise forgotten time period as she has with her Cousins' War series. Since Gregory doesn't bog down this story with many historical facts or details, the drama speaks for itself with its blend of treachery, sorcery and devotion and I can recommend this novel to any historical fiction fan wishing for an entertaining read, as well as it being suited for a young adult audience.

GIVEAWAYO F US HARDCOVER (THIS CONTEST HAS ENDED):
Discuss your opinions of the Wars of The Roses. Where would you have put yourself in the wars: Lancastrian or Yorkist? Or if you have read the other books in the Cousins' War, which one was your favorite so far?
 Tell me how you are a follower of Burton Book Review.

+1 entry: Facebook or tweet; leave me a link to the post.

You must include your email address so that I can contact you if you win.

I will choose thoughtfully from the entries that have been successfully completed ;)

USA only! Contest ends September 19, 2012 and winner must respond to my email within 24 hours.
(I turned off commenting circa 2014, unfortunately that removed previous comments)

Jul 20, 2012

The Queen's Vow by C.W. Gortner

Friday, July 20, 2012

The Queen's Vow
Queen Isabella portrayed as a woman, as opposed to inquisitor
The Queen's Vow by C.W. Gortner
Ballantine June 2012
Hardcover 382 pages
Review copy from the publisher, thank you!
Burton Book Review Rating: Three stars

From the glorious palaces of Segovia to the battlefields of Granada and the intrigue-laden gardens of Seville, The Queen’s Vow sweeps us into the tumultuous forging of a nation and the complex, fascinating heart of the woman who overcame all odds to become Isabella of Castile.

Gortner enjoys writing of female monarchs who may have been vilified or misunderstood, and his newest novel is no different. Queen Isabella is most remembered for her role in the Spanish Inquisition and for funding Cristobal Colon's voyage. Was she a money hungry, blood thirsty monarch, with ethnic cleansing views similar to Hitler? That would be open to interpretation, and Gortner uses his research to try and portray Isabella in a more positive light. The story takes us through four parts, which were all discussed during the HF-Connection Read-along so I feel like I may be repeating myself here.

Using a first person perspective the author attempts to humanize Isabella as she deals with both political and marital conflict. I felt that with the many names coming and going, Carillo, Villena, Chacon, it may have been easier to get a full-figured view of the time period if we were able to see it through someone else's eyes and feel more of a sense of the political upheaval as well. Instead, using first person view of Isabella we are limited to her actions, thoughts and fears, which sometimes made me feel like I was trying peer through the haze to gather what was really happening elsewhere in the opposing factions/realms.

However, the author was not writing a historical novel regarding the period of Isabella, he was writing a novel on the character of Isabella. He does a great job of offering a glimpse of what could have been going through her head at various times, and we witness Isabella's transformation from young adult to wife and ruler. My favorite parts were the beginning, where Isabella is developing her relationships with her brother Alfonso, and half-brother Enrique. Those relationships helped humanize Isabella in my eyes, as I could see Isabella loved Alfonso very much and was willing to wait for Enrique's reign to be over before she reached for the throne of Castile. Another relationship (but ended up being a bit anti-climactic) was the fate of Juana la Beltraneja, the issue of Enrique's wife who was considered illegitimate. The political turmoil between the family and their advisers was well portrayed and I was eager to read how it would play out.

An underlying theme is Fernando and Isabella's marriage, going through the motions of the begetting of heirs for their realm in hopes of solidifying future political alliances. The other theme is the aspect of religion and how Isabella's beliefs helped shape her life and therefore how she governed. However, Gortner shows that Isabella did not make the important decisions on her own, as she had several people close to her that she listened to. He attempts to show Isabella as very reluctant to be the Inquisitor, and suggests that perhaps it is Fernando who had more religious zeal. The aspect of religion and the ultimate belief that all things are done for God and in His name is another important topic to consider when learning of Isabella's actions. The horrors inflicted on her people can be seen as a casualty of war, as she was on a mission to save her soul as well as her people. And to be fair, Isabella was one woman, and a product of her times. Her decisions were not her own.

This is a satisfying read for those who are interested in seeing a characterization of Isabella that possibly offers clues to why she made the epic decisions that she did, especially in regards to the persecution of her people. I am a reader who has to like a main character in order to fully enjoy a book, and I am predisposed to disliking Isabella. I wanted to be able to love this passionate Isabella, but I still wasn't able to in the end. There were many battles and struggles going on around Isabella which became a major thrust of the novel, and this helps portray the image of Isabella as a Warrior Queen, even though it was Fernando who was doing most of the battle organizing. The politics of the era are another major theme to the novel, and I found the Spanish maneuverings and battles for control of cities slightly confusing as there was a lot of this carried out throughout the novel.

Isabella exhibited tenacity, passion for her causes, and love for her family and Gortner does a thorough job of portraying these characteristics throughout the novel. My favorite scenes were those that focused around her children, and how she interacted with her children. I wish there were more towards the end of the book that focused on the marriage, but that too was overshadowed with the political upheaval and the conquests. I also loved Isabella's maid, Beatriz, who came in and out of the story.

One of the children that Tudor fans should recognize would be her daughter Catalina/Catherine of Aragon, the first wife of Henry VIII of England. Another daughter is Juana de Loca/Juana the Mad, who was a subject of Gortner's novel The Last Queen, which I enjoyed and recommend. I recently conducted an interview with the author regarding his research on Isabella and writing this book, which can be found here.

Along the same theme, I have to recommend Mitchell James Kaplan's novel By Fire, By Water, which was a  favorite of mine. It features Luis de Santangel, a character who was also mentioned in The Queen's Vow as he becomes entrenched on both sides of the Spanish Inquisition. For those who have read The Queen's Vow and would like to comment on many of the topics related to the book, feel free to comment on any of the discussion posts of the read along.

Jun 12, 2012

Interview with C.W. Gortner, author of THE QUEEN'S VOW

Tuesday, June 12, 2012
Please welcome C.W. Gortner who graciously agreed to answer a few questions regarding THE QUEEN'S VOW: A Novel of Isabella of Castile, which releases TODAY!!

For your newest novel, The Queen's Vow, what is the biggest message about Isabella that you are trying to convey?
As with my previous novels, my original intent was to uncover the flesh-and-blood woman behind the legend. Isabella of Castile is most often known as the queen who sent Columbus to America and the fanatic who unleashed the Inquisition. But few of us know the tumultuous, fascinating story of her rise to the throne or understand the complex choices she had to make as a woman in power in a time when women rarely ruled. So, for THE QUEEN’S VOW, I decided to explore how Isabella became the woman and queen we think we know. My biggest message is that, like all of us, she was first and foremost a human being.  She had both extraordinary qualities and terrible ones; she was an exceptional woman and a fallible one, molded by her particular circumstances and the era in which she lived. Perhaps more so than any of my other characters, Isabella’s contradictions ultimately define her.
Is there something you came across in your research for this novel that took you by surprise? Interesting facts about the characters?
I was very surprised to discover how passionate Isabella was. When we think of her, we get this mental picture of a staid, unyielding queen; certainly, the trajectory of her later years, which I cover in my first novel about her daughter, The Last Queen, shows a woman dedicated to protecting Spain and stoic in her faith and personal tragedies. However, the young Isabella sparked a civil war in her determination to marry Fernando of Aragón! I also had had no idea she was so forward-thinking in terms of women’s education. Isabella was born into a Spain fragmented by discord; bitter antagonism and private feuds had sowed near-total disorder. Even the most noble men were barely literate, and women scarcely at all. Isabella herself had no formal education, save for basics. Comparing her schooling, as it were, with that of Elizabeth Tudor, born eighty-two years later, offers startling contrast. Here we have two of history’s most famous queens, each of whom became a symbolic personification of her particular land, yet while Elizabeth enjoyed an impressive training that prepared her, even if accidentally, to rule, Isabella had none. She lamented her lack of education and in her early thirties, dedicated herself to mastering Latin. She also championed a decree that facilitated women’s entry into universities. She was the first queen of her country to allow women to earn degrees and become professors; she also brought the first printing presses to Castile, thereby sowing the seed of Spain’s golden era of letters in the 17th century.
What was the hardest scene to write?
Definitely, the scenes related to the Inquisition. I write about people who lived in the past and thus I strive to stay true to their way of viewing the world, but I rarely share their beliefs. Religious intolerance, cruelty to animals, any kind of human-phobia: these are hot-button topics for me, and yet the 16th century is defined as much by its injustice as its glamour. You can’t really write about a Renaissance person without touching on these unsavory traits, and it was challenging for me personally to get into Isabella’s skin and see the world as she did, when she was contemplating these deeds. But, part of being a writer is being able to disappear into your character, so I had to find that dark place inside me that we all have, though few of us admit it—that cellar in our minds, where anything different from what we find familiar frightens us and can lead us to condemn it. Hell and Heaven were not abstract concepts to the 16th century mind: most people genuinely believed in a retributive God and an afterlife of glory or eternal damnation, dependent on what, and who, you were in life. Saving your soul was therefore paramount to a woman of Isabella’s deep convictions.
Was there a scene that your editors made you cut that you wish could have stayed?
No, not really. I mean, there are always those scenes that we are fond of that our editors don’t particularly love and therefore must be sacrificed, but in the end editing is part of creating a final product that is accessible to readers. With my other books, yes, there were scenes I’d have loved to retain but with this novel, very little was actually cut. It came together in unexpected ways but never overflowed the perimeters that I had defined for it. It was orderly, much like Isabella herself.
Your historical novels have featured strong female figures. Is there a male monarch who's story you would consider writing someday?
Absolutely, but the market is defined by readers and publishers, and so far, male lead characters have not proven as successful within the area that I’m currently writing in. With my Tudor spy series, I’m very fortunate to have a male lead and it makes for an exciting change for me as a writer. And of course, there are several kings I’d love to write about; perhaps, I’ll be able to one day. Certainly, I am always exploring ways to tell different stories that will appeal to my readers and my publishers.
Tell us about what you’re working on now. What is the time-table for your Spymaster Chronicles books?
The second book in the Spymaster Chronicles is titled The Tudor Conspiracy. It is finished and currently with my US and UK editors. Publication will be in 2013; I know these things always take longer than we like, but books have to be edited and covers designed; the text has to be set, and then there’s the daunting process of scheduling and marketing. However, I think the wait will be worth it: Brendan’s next adventure is a dark quest set in the winter of Bloody Mary’s reign, shortly before the Wyatt Revolt.
Now, I’m writing my next historical novel about Lucrezia Borgia, tracing her so-called Vatican years, from her youth as the illegitimate child of an ambitious Spanish churchman to her thrust into notoriety as the pope’s daughter and savage struggle to define herself as a woman even as she battles her family’s lethal ambitions and her own dark heart. Lucrezia is my first ‘non-queen’, so to speak, though it could be argued she was regarded as royalty in her era. Once again, I’ve found myself drawn to a woman who has been vilified by history. I am enthralled by Lucrezia and her world, as I hope you will be.
Thank you so much for having me. I sincerely hope readers enjoy THE QUEEN’S VOW. I’m always available to chat with book groups via Skype or speaker phone; to learn more about me and my work, please visit me at: www.cwgortner.com
 Also, join us at HF-Connection where we will have a Read-Along of this novel, begining July 7, 2012. See the announcement here.

Aug 19, 2011

Reign of Madness by Lynn Cullen

Friday, August 19, 2011

Reign of Madness by Lynn Cullen
Hardcover, 448 pages
Putnam Adult, August 4, 2011
ISBN-13: 9780399157097
Review copy provided by the publisher, thank you!
Burton Book Review Rating: 4 stars

From the author of The Creation of Eve comes a tale of love and madness, royal intrigue and marital betrayal, set during the Golden Age of Spain.
Juana of Castile, third child of the Spanish monarchs Isabel and Fernando, grows up with no hope of inheriting her parents' crowns, but as a princess knows her duty: to further her family's ambitions through marriage. Yet stories of courtly love, and of her parents' own legendary romance, surround her. When she weds the Duke of Burgundy, a young man so beautiful that he is known as Philippe the Handsome, she dares to hope that she might have both love and crowns. He is caring, charming, and attracted to her-seemingly a perfect husband.
But what begins like a fairy tale ends quite differently.
When Queen Isabel dies, the crowns of Spain unexpectedly pass down to Juana, leaving her husband and her father hungering for the throne. Rumors fly that the young Queen has gone mad, driven insane by possessiveness. Who is to be believed? The King, beloved by his subjects? Or the Queen, unseen and unknown by her people?
One of the greatest cautionary tales in Spanish history comes to life as Lynn Cullen explores the controversial reign of Juana of Castile-also known as Juana the Mad. Sweeping, page-turning, and wholly entertaining, Reign of Madness is historical fiction at its richly satisfying best.

Many historical fiction fans have been introduced to Juana of Castile by reading The Last Queen by C.W. Gortner (Ballantine, 2009) and now there is another novel of this often misunderstood queen. Sister to Catherine of Aragon and daughter of Ferdinand and Isabella, Juana came from a famous royal family and some would assume "good stock." Yet, she is know as Juana the Mad. The traits of insanity have been linked to her, her brother, and Isabella's mother, but how much of this is true? We may never really know, but we'll have fun trying to find out!

Lynn Cullen delves into Juana's life with this piece of fiction that is testament to the consuming power of greed of those who surround Juana. Christopher Colon (aka Columbus) was one of them, her husband was another and even Juana's parents were. The titles that landed at Juana's doorstep were unwanted and unexpected, and they eventually made her a prisoner in her own lands.

The author offers Juana's story of most of her life, and embellishes a little here and there to make it different than that of C.W. Gortner's recent novel. The two are similar in that they are both told in first person, and as such both are sympathetic towards Juana. The players around her change a little, which created a different contexts between the books, therefore I was not having too strong of a sense of deja vu. I enjoyed Lynn Cullen's portrayal of Juana, and of the events that saw her imprisoned for reasons beyond her control. Juana's husband Philippe was the one you would love to hate, and I would've enjoyed a little bit more story into what life was like after Philippe died. Her father Fernando seemed to be the villain at the end but it seemed to end a bit abruptly.

Poor Juana was the phrase going through my head for much of this read, and I wish there were something triumphant and hopeful that we could have gotten out of the read. Yet, more to the point, Juana lived her later life ruling as queen by name only, and perhaps there really was nothing to be hopeful for. One thing that troubles me has nothing to do with the book, but the fact that Phillippe was supposedly so handsome he was known as Philip the Handsome. I just don't see it.

If you are interested in reading more of Ferdinand and Isabella, Christopher Colon, or Juana of Castile, this quick reading novel will not disappoint, although how much is true or not we would never know. As fiction, this novel was fast-paced and intrigued me enough to want to know more about Juana and her family. I was especially tickled to see Margaret of York, Dowager Duchess, featured as the evil grandmother of Philip and yet another power hungry player. Reign of Madness was a myriad of page-turning worry and suspense for Juana as this reader wished for Juana to fly out of her coop once and for all, and into the arms of the one who truly loved her...

Read an excerpt here.

Feb 1, 2011

Pale Rose of England: A Novel of The Tudors by Sandra Worth

Tuesday, February 01, 2011


Pale Rose of England: A Novel of The Tudors by Sandra Worth
Paperback: 464 pages
Publisher: Berkley Trade (February 1, 2011)
ISBN-13: 978-0425238776
Review copy provided by the publisher, thank you!
The Burton Review Rating: 4 stars

It is 1497. The news of the survival of Richard Plantagenet, Duke of York, has set royal houses ablaze with intrigue and rocked the fledgling Tudor dynasty. With the support of Scotland's King James IV, Richard-known to most of England as Perkin Warbeck-has come to reclaim his rightful crown from Henry Tudor. Stepping finally onto English soil, Lady Catherine Gordon has no doubt that her husband will succeed in his quest.

But rather than assuming the throne, Catherine would soon be prisoner of King Henry VII, and her beloved husband would be stamped as an imposter. With Richard facing execution for treason, Catherine, alone in the glittering but deadly Tudor Court, must find the courage to spurn a cruel monarch, shape her own destiny, and win the admiration of a nation.

I have all of Sandra Worth's books, but have only found the time to read The Rose of York: Love and War (review) which paints a very different picture of Richard III than my normal style of reads. Worth is evidently pro-Richard, pro-Yorkist etc. and I still have not yet defaulted to that side, though Worth has made it her mission in life as far as a writer to put a glorious light on the Yorkist line as opposed to the usual vilification of Richard III. In my opinion, Sandra Worth's first book was well written (yet it was slightly overdone with the romantic view of Richard), thus with the new Yorkist installment, Pale Rose of England, I was skeptical but ready to be open-minded. (And yes, I say this only because I have not yet read Sharon Kay Penman's Sunne in Splendour, who probably turned many Lancastrians into Yorkists with that book).

Don't let the subtitle fool you... this is not yet another look at Henry VIII and his many wives, as this novel begins before Henry VIII's rule. This novel is also an intriguing alternate history examination of what could have happened to the princes in the tower, namely, the boys locked away from their mother in terror during the usurper Richard III's rule. Their uncle, Richard III, took the throne after Edward's death, and little Edward and Richard simply vanished after being held in the Tower. Edward was supposed to be crowned in 1483 around age nine or ten, but Uncle Richard declared them illegitimate. No one can truly say what happened to the innocent young boys, but they never did return to the courts and take the throne in succession as they were meant to do after their father Edward IV. Since no one can realistically proclaim what really happened to those boys, I say alternate history because the author has used Perkin Warbeck as the Pretender who was out to take Henry VII's throne for himself in the name of the Yorkist line.

In Pale Rose of England, the author uses a popular theory that young Richard was safely stowed away as a child, perhaps by Uncle Richard himself. Later, this same Richard Plantagenet returns to England, known as Perkin Warbeck to the English who ridicule him, bringing his Scottish wife Catherine Gordon with him.

"Without exception, the Tudor is hated. All he has brought us is fear and taxes. We pray daily for the restoration of your royal father's line. When you leave here to march against the Tudor, you'll see the truth of what I say. All Cornwall with rise up to join you."

..so says Prior John to Richard. Thus sets the scene for the very high hopes that Richard, Catherine and fellow Yorkists shared, and I realize I will have to put aside my strong Lancastrian (Tudor loving) tendencies in order to root for this Perkin fella. Which is not hard, with the way Worth has written this despairing, heart wrenching, soul gripping story. Henry VII is a force to be reckoned with, and is a part of the story as much as Richard is, which is a refreshing change of pace as far as characters go.  I enjoyed reading more about him and wondering about his characteristics as a ruler, as a miser, as a man under his mama's thumb, even though I could never say he was a good guy. Lady Catherine Gordon was new to me, and she was her own pillar of strength in opposition to Henry, most of the time. Though I did want to slap her at some parts and tell her to run run run run run.. but she didn't.

Sandra Worth sets forth her theories regarding this Pretender who really could have been England's Richard IV.. who could have tossed the Tudor line off of the throne.. with as much attention to historical details as she could. This is not a piece of Tudor fluff, it became depressing beyond words and made my heart ache for Lady Catherine, a royal lady of Scotland who was kept an essential prisoner in the Royal Courts for much of the more than four hundred pages. Catherine went through one emotional upheaval after the other during her support for her husband's quest, and as we know since thereafter was only a successful Tudor rule, she lost it all. Her story kept me reading, as I hoped she would somehow be redeemed, that somehow there would be a knight in shining armor for her, somehow her years of misery would be rewarded with something.

This is not an easy read, and runs along the lines of a tragedy with political forces pulling the strings. Who is pulling the strings this time was the Tudor usurper as we he was pleasantly called. The major dimension of the story of Catherine Gordon's life is loss, torture, despair, and impossible situations and the cloud of doom hovers over the reader and Catherine throughout most of the 464 pages.

Whether or not this Perkin fella is truly Richard, Duke of York, the young "lost" prince in the tower, I cannot say. Worth certainly presents a compelling argument leaning that way.. but I am not utterly convinced, even though the major European rulers at the time seemed to believe the Pretender was not pretending. I am looking forward to reading Anne Wroe's The Perfect Prince for further insight. As far as Worth presents this tangled weave of love and deception, you really have to be ready to put your lot in with Catherine and support her emotionally as you go along. Otherwise, I see a strong possibility of some not liking the novel because of the way Catherine let things happen around her. Yes, in reality, she may not have had much of a choice, but I still think that there were other things that could have occurred to help her plight, especially since her cousin was the King of Scotland. But that's not the way history tells it, so neither does the author. Henry VII had a grip on her and the entire situation, and somehow all other major powers let Henry maintain this power. There are small quibbles I had with the plot, mainly because I didn't want Henry to have so much power, but Sandra Worth tells a compelling, poetic and romantic story that really could sway Tudor lovers into becoming Tudor lovers with Yorkist tendencies. Ahem.

A few books from my library that I can recommend regarding the mystery of the Princes in the Tower include David Baldwin's Elizabeth Woodville: Mother of the Princes in the Tower and Alison Weir's Princes in the Tower as well as her The Wars of the Roses which are detailed (and conflicting) non-fiction reads. Sandra Worth has authored an interesting article regarding Richard/Perkin at On The Tudor Trail: Uncovering The Mystery of Perkin Warbeck  and she will also be the author of the month for the lovely ladies of the Historical Fiction Round Table. Be sure to watch that site for the links to the giveaway opportunities, reviews and more articles regarding the mystery of the Princes in the Tower.

Jan 3, 2011

The Queen of Last Hopes by Susan Higginbotham

Monday, January 03, 2011
The Queen of Last Hopes: The Story of Margaret of Anjou by Susan Higginbotham
Paperback: 368 pages
Publisher: Sourcebooks Landmark (January 1, 2011)
ISBN-13: 978-1402242816
Review copy provided by the publisher, thank you!
The Burton Review Rating: 5 stars
It would be called the Wars of the Roses, but it all began with one woman's fury...
Margaret of Anjou, Queen of England, cannot give up on her husband-even when he goes insane. And as mother to the House of Lancaster's last hope, she cannot give up on her son-even when all England turns against him. This gripping tale of a queen is at its heart a tender tale of love: passionate, for her husband, and motherly, for her only son.

The Wars of the Roses has been my favorite period to read about during the last two years. Following that would be the Tudor era, but the battles between the Lancastrians and the Yorkists are always full of passion and from so many points of view that I have not been bored yet after reading many books on the era. I will not recount the events of the novel as there are many characters and titles to decipher that is hard to keep up with. Using a few key players, such as the fatherly Suffolk, the must've-been-handsome Henry Beaufort or the seemingly murderous Yorkist factions, Higginbotham retraces Margaret's story with a passion and talent as Higginbotham gives Margaret's name a new found respect. Wars of the Roses fans know what is to happen by the end of Margaret's story, but will they be sympathetic of Margaret of Anjou or to the Yorkists that stole the crown from her husband?

I will say that I haven't had a desire to read for a day straight in months, yet I am honored that Higginbotham broke me from that sad fact with her story of Margaret of Anjou and the fruitless fight to put her son Edward on the throne of England. Once I had a chance to get 70 pages into the story, I could not put it down; I was so entertained by Higginbotham's telling of Margaret's story which is why I endowed the five star rating. Even knowing what historical tragedies would play out in the story, I was hooked and enamored with Margaret. In previous reads, Margaret is normally referred to as merely the Frenchwoman, the whore, the witch.. and finally we have a much more pleasant view of this consort of the saintly Henry VI. Their son Edward of Lancaster had always been in the background of my previous reads, as he had never gotten the chance to make his mark on England. Yet, the way Higginbotham tells it, readers of her newest Wars of the Roses novel will never forget Edward of Lancaster and the throne that should not have been stolen from him; and one cannot but wonder if only he had been successful in the Lancastrian cause...

If you had not chosen a side before, either Lancaster or York, be prepared to become Lancastrian. I had never felt Yorkist in nature, and this novel solidifies my Lancastrian leanings for me once again. Margaret of Anjou will undoubtedly gain much earned respect through this telling, as she was loyal to the country that she married and the man who was England's rightful king. She held fast in her resolve even when others would have given up, and I am not ashamed to admit that Higginbotham's novel of Margaret and her fight for the Lancastrian cause brought me to tears. Perhaps the story sheds too much of a positive light on Margaret, but to give the novel further credit, it is told with multiple points of view which helps round out and personify the events for the reader and for once, a multiple narration did not grate at my nerves as it is known to do.

Susan Higginbotham's writing has an easy conversational feel to it, while deftly imparting detailed historically significant events throughout which makes Higginbotham a favorite historical fiction author of mine. The three novels of hers that I have read have all been read quickly by me, just short of devouring them. I appreciate the fact that although she takes some liberties with the historical accounts, she stays well within the realms of accuracy, and when she strays she explains both herself and history in the author's note. I have nothing to say to criticize this novel, and am pleased to recommend this novel to any history fan interested in some of the struggles during the Wars of the Roses and how the Tudors came to their eventual throne. Readers will become immersed in the quest for the rightful owner of the crown of England, as history's mysteries also seep through to help add to the titillation of the reader.

See my previous reviews and guest post from the author here at this link.